Let’s take a peek at Fresher Guitars from Japan.Rickenbacker Cheyanne Bass Amazing And Rare. So, how about a little lyric poetry, something fresh for a change, some lighter fare at the bountiful buffet of guitar history. It was the largest folder in the series, with 24 inserts, (19 guitars and 5 basses): Guitars: 335-S Standard, Melody Maker Double, Marauder, L-6S Custom, S-1, RD Artist, Firebird, Firebird II, Flying V, Flying V-II, The V, Explorer, Explorer II, The Explorer, The 'SG' Standard, Les Paul Artist, Les Paul Artisan, ES-335 Heritage, ES-175/CC Basses: Grabber, G-3, L-9S, RD Artist Bass, Flying V BassEpic poetry is great, but all these long treatises on the massive guitar pedigrees of Kay and Aria have made me feel a bit like a Milton scholar, a fate not to be wished anyone.
In a good condition, with wear and tear marks. Rickenbacker Cheyanne Bass. Rickenbacker guitar / bass book rittor music.
The top is made from a nice piece of straight grained spruce and finished in the Japanese version of Fireglo. The build characteristics of this guitar indicate it was built at the Matsumoku factory. London.This Japanese copy is a loose interpretation of the Rickenbacker 360.
1985), a book which is highly recommended if you can find a copy, but unless you read Japanese, this is not terribly enlightening. There’s a chapter on Fresher in “History of Electric Guitars” (Player Corporation, Japan, ca. Used Rickenbacker 4003S.Now that I had one, what was it? The knowledge quest had begun. Samick Left handed les paul copy electric guitar Made in Korea. Canora Les Paul Copy Made in Japan 1970 039 s.
Kyowa was primarily a trading company, importing products and developing some musical instruments. Nagoya, you’ll recall, is one of the principal guitar-making regions in Japan. Despite the fact that examples occasionally show up, as of now there is no evidence that Fresher guitars were ever officially imported into the United States.The Fresher story begins back in 1973 when Fresher guitars were introduced by the Kyowa Company, Ltd., of Nagoya. Basically, these were primarily made for domestic use in Japan, although at least some were briefly exported at least to the United Kingdom.
Based on the evidence of slightly later designs and the vogue for copying at the time, it’s probably safe to assume these were mainly inspired by popular American designs.Illustrated in the “History of Electric Guitars” are three guitars which probably reflect this early line. Noguchi recalls them as being pretty much low end instruments when compared to other brands available at the time, including Greco, Tokai, Guyatone, Fernandes and Ibanez. This organization, by the way, did not include either Fujigen Gakki or Matsumoku, the area’s more famous manufacturers.Little is known of these early Fresher guitars, but Mr.
In 1977, Fresher introduced the onboard electronics for which it will, most likely, be best known in guitar history. The FN-384 was a black copy of a Rickenbacker 4001 bass, complete with triangle inlays.As the Seventies progressed, quality began to improve and designs to get more original. The FN-281 was a copy of the Fender Competition Mustang done up in a blue finish with white stripes, maple fingerboard and black dots. About the only difference seems to be a slightly exaggerated center dip on the open-book headstock. This appears to be a glued-neck guitar.
In lieu of a traditional fiveway select, the FS-1007 had two threeway minitoggles which controlled either the front and middle or back and middle pickups, both sharing the middle pickup, in a most curious arrangement! Each of these was then hooked up to separate volume and tone control, yielding four knobs rather than the usual three. This was a copy of a late-’70s Fender Stratocaster with a white ash body, solid bolt-on maple neck, big Fender-style headstock, brass nut, maple fingerboard, black dot inlays, three single-coil pickups, an adjustable bridge/tailpiece assembly, a pickguard that looks like a Strat except for a sort of genie tail on the lower bout where the electronics controls were mounted. We’ll leave that to the Milton scholars!The Strat was both the FS-1007 and the FSC-100. Since these model numbers don’t appear on the guitars themselves, such a distinction is probably academic.
You may be amused by the errors in grammar and syntax if you’re not familiar with this style, but it reflects what happens to the intrinsic differences in two languages with quite disparate etiologies when they collide in the form of advertising hype!“‘FRESHER’ JUST CREATED NEW FANTASTIC ELECTRIC GUITAR. This is written in that wonderful English which I’ve come to recognize as typical Japanese translation. Noguchi kindly faxed to me. Because it is so curious, let me quote at length from the catalog which Mr.
Japanese Rickenbacker Copy Bass Guitars Free From Setting
Economical costs rather than the total costs of electric guitar plus five effectors. Free from setting trouble. Also, players can change the order of connector between AutoWah and Phase Shifter.“Now, players need not to carry effectors separately and to connect them with cords. Of course, the normal sounds can be enjoyed.
One controlled either auto wah or power boost, the other either phase shifter or distortion. The other two operated with a threeway toggle, both off in the middle. Simplest to operate was the sustain, which had its own toggle for off or on. Each of these then hooked up to a separate potentiometer which basically served as a volume or speed control, depending on the effect. Three additional minitoggles then controlled the five individual onboard effects. These were controlled, overall, by a bypass minitoggle allowing you to kick them in or out at will.
This handsome devil was a neck-through-body guitar made of all-mahogany. Unlike a Les Paul, however, this had the Fresher Built-In 5 Effects.The Firebird was called the FF-1003 and the FFD-100. The FL-1005 came outfitted with Gibson strings! This was available in a natural oak or tobacco brown sunburst. This was a pretty good reproduction of a Gibson Les Paul Custom, with a solid carved maple top over a mahogany body, a glued-in mahogany neck, Rotomatic tuners with tension controller, bound headstock and fingerboard (no split diamond on the head, by the way), block inlays, brass nut, twin humbuckers, threeway select, twin volume and tone controls, elevated pickguard, finetune bridge and stop tail. Finally, there was a little red battery power light.The Les Paul was called both the FL-1005 and the FLP-100.
Otherwise, the effects were the same.OK, so how do they work? Well, based on the one I have, not bad, all things considered. On the lower horn were two toggles, a threeway select and the effects bypass switch. It had a brass nut, combination bridge/stop-tail, two mini-humbuckers and a black pickguard which began like a Firebird but stretched all the way down the guitar to hold the electronics. The rosewood fingerboard was bound with dots.
Unlike the previous guitars, which have the logo written in an angular script, mine has the logo in a Fender-style spaghetti script. Mine is called a Fresher Straighter (which the others may be too). And like the copy says, you don’t have to schlepp around a bunch of pedals and cords.Actually, the guitar I have differs slightly from the guitars shown in the Fresher catalogs I’ve seen. But if you like those cheezy effects that can only be gotten with an onboard circuit board, these are pretty cool. If you are an effects purist, you want a good pedal.
I’d be surprised if they made it to 1980. The strings on mine pass through the body and are secured with ferrules.Another version of the Fresher Straighter was made with a traditional Fender-style vibrato.It’s not clear how long these effects guitars were made, but probably not long. Mine also has a rosewood ‘board with pearl dot inlays. Stand back and squint your eyes and you’d swear it said “Fender Stratocaster” instead of “Fresher Straighter!” Mine also has a more traditional fiveway select and one volume and two tone controls, like a normal Strat.
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